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The big brother to the 5D, on the other hand, refuses to be distracted by subjects moving into the frame (unless you want it to via a custom function). The 5D is as easily distracted as a horny teenager when a group of cheerleaders walks by.
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But aside from some functions we have yet to deal with on the new 5D and which are lacking in the more professional 1Ds, that camera does leave the 5D in the dust when it comes to autofocusing. There are obvious differences between the two cameras in size and heft, with the 1Ds-series always being the more robust. While both cameras boast a 21.1 megapixel CMOS sensor, the similarities pretty much end there. (Unless otherwise noted, all references to the 5D henceforward are to the Mark II, just as references to the 1Ds apply to the Mark III.) Should I continue to play the waiting game? Well, the only way to find out is to put the new 5D through its paces and see how it compares. That 1Ds is a marvelous piece of machinery, if pricey.
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But is it all it’s cracked up to be, enough so for me to upgrade? Having tested the 1Ds Mark III adds another twist to this story. Well, I’ve finally got my hands on the 5D Mark II.
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Besides, for me to take the plunge, a new 5D would have to be packing some serious new hardware-or software (technically, firmware).
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With continued use, I could sense that there were certain features lacking on my original 5D, but I wasn’t really looking forward to upgrading too quickly.
![lcd screen canon mark 5d ii lcd screen canon mark 5d ii](https://ae01.alicdn.com/kf/Hdf3ccd3ab5af4812b94ee6af67204451r/Window-Display-Outer-Glass-For-Canon-EOS-5D-Mark-II-LCD-External-Screen-Tape.jpg)
(Sadly, it wasn’t till I bought the Tokina fisheye zoom-for an APS-C camera, no less, namely the D300-that I truly began to exploit the possibilities of fisheye optics.) But coming back to that fisheye, I now could take pleasure in that unique fisheye perspective. My wide-angles would be truly wide, although I did miss that extra boost my telephotos got with the 1.6X factor (applicable to Canon APS-C). To top it off, all my Canon EF lenses would now be true to form. So I felt like I had my cake and could eat it too. More to the point, I bought a Canon fisheye for starters, to take advantage of the full-frame sensor. In fact, for the same price as a 1Ds, I could buy the 5D and several lenses. And while I’d considered the pricier 1Ds-series cameras, I felt that, for my needs, the 5D would do. I had heretofore resisted buying EF-S glass expecting to make this move one day. When the original, and very reasonably priced, EOS 5D came out, I bought it and chucked my APS-C Canons. Technology, it seems, waits for no man or woman. Today, those intervals are growing remarkably shorter and shorter, although not short enough for some of us who eagerly await the next iteration. I remember when long intervals would go by before a new SLR was introduced, back when we were shooting film. This is a versatile combination, which proved itself street shooting in New York City, with subjects ranging from street scenes to candid portraits-even a celebrity sighting at a film premiere. A full-frame EOS DSLR gets even better-with 21.1 MP CMOS sensor and much more.Ĭanon EOS 5D Mark II + 16-35mm lens.